I just watched
A River Runs Through It with Brad Pitt. It's one of my favorite movies. The first time I saw it, well, by the end of the film, I was weeping. I didn't cry. I wept.
At that point in time, I hadn't cried that much over a movie since
The Champ. The very young Ricky Schroder crying over the dead body of his father, played by Jon Voight, after Voight dies during a boxing match: "Don't die, Champ. Don't die."
Everyone who has ever seen "The Champ," cries like a little girl. If you didn't, cry, well then:
1) you didn't see the film
Or
2)That's it. #1. Because if you saw it, you cried.
Back to real life which unlike the movies has regular fluorescent lighting and Brad Pitt rarely makes an appearance. You never see Brad, say, on the F train or at the Duane Reade buying paper towels. And that is too bad.
Warning: awkward transition ahead.
I was at a bar a couple weeks ago. Mexican place. After I left I went to another bar across the street where in short order I was schooled on my alphabet and confronted for daring to try to enter another area of the bar.
So I leave the Mexican place and I'm at the bar across the street, and I go to the restroom. I think it's the ladies room, and I open the door. Huge guy inside there. Apparently, he just walked in because he was still zipped up. How do I know this? I'll tell you. He turned around and walked to the threshold of the men's room. I babble an apology. He (I swear to Christ) touches the door, pointing his finger to the letter "G" on the door. He says all nasty: "G. Guys." He is schooling me on my consonants right there in a Lower East Side tavern like we are both in some fucked-up version of Sesame Street and he is an allegedly uber-cool version of the
The CountNext. I go to the real ladies room and try the door. It's locked. I immediately back off because who knows who is going to come bouncing out the door, trying to teach me a lesson. A woman leaves. She's pissed that I knocked and makes a comment about my knocking. (I hadn't knocked)
I say, "I didn't knock. I just tried the door."
She's like, "Oh, sorry."
And it's at this point, I'm wishing I had gone to the restroom again before I left the Mexican place -- where everyone was nice and relaxed.
Anyway, LONG f'n story short. Next, I try to go to the downstairs bar in this place. Mistake. I hit the bottom step and this guy approaches me. He is right in my face. He bounds over to stop any further progression on my part. Good God, what if I had passed by and entered the downstairs bar without permission. All hell would have broken loose: bar patrons allowed to roam freely into all areas of an establishment. That would be crazy.
He says, and I quote: "What do you want?"
I say, "I want a drink."
He says something like "this area is closed." He is giving me this nasty, nasty look. And his tone of voice was malevolent.
I shrug my shoulders like fine, whatever. So I leave the bar. Who needs this crap. I don't.
But I know his face. I've seen him before, but I can't place him. I know I don't have a positive association with him, but I can't think where my previous association comes from. Then, I remember. I've seen this fucker at shows. Several times. I don't know his name, but I remember his smirk, and general, ah, demeanor.
One more thing: The bar has a great jukebox. And some random guy tried to tell me that the Hall & Oates song "Private Eyes" was better than their song, "Rich Girl."
WTF. It boggles the mind.